a statue of a dragon turning into an actual dragon, albeit the same size as it was when it was a statue). Usually, a wizard or witch attempting to perform a Transfiguration spell would often find it easier to transfigure one thing into something else provided that the state it was originally in had something in common to what it would be coverted into (i.e. Whilst Transfiguration was an exceedingly useful branch of magic, it naturally had its own set of limitations. The intended transformation (t) was directly influenced by body weight (a), viciousness (v), wand power (w), concentration (c) and a fifth unknown variable (Z), as described by the following mathematical formula (as taught to first-years at Hogwarts School of Witchcraft and Wizardry). There were a number of factors a wizard had to take into account when carrying out Transfiguration spells. Horace Slughorn disguised by the use of human Transfiguration Do not wiggle or twirl your wand unnecessarily, or the Transfiguration will certainly be unsuccessful" as stated by Emeric Switch in A Beginner's Guide to Transfiguration. Furthermore, " when transfiguring, it is important to make firm and decisive wand movements. Transfiguration was a very systematic, exact magical discipline, working best for the scientifically-inclined mind and, as such, was deemed exceptionally hard work, especially in comparison to Charms, which afforded a much larger margin for personal creativity.
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